Italian sculptor, painter, and architect, b. at Caprese in the valley of the upper Arno, 6 March, 1475; d. at Rome, 18 February, 1564. Michelangelo, one of the greatest artists of all times, came from a noble Florentine family of small means, and in 1488 was apprenticed to Domenico Ghirlandajo. While apprentice, he excited the admiration of his master by the life-like animation of this drawings, and upon Ghirlandajo's recommendation, and a the wish of Lorenzo the Magnificent, he received further training (1489-92) in the palace of the Medici, at the school of sculpture then under the direction of Bertoldo, one of Donatello's pupils. As student and resident of the palace, Michelangelo lived with Lorenzo's sons in the most distinguished society of Florence, and at this time was introduced by the poet Politian into the circle of the scholars of the Academy and to their learned pursuits. Meanwhile, Michelangelo was studying with marked success the frescoes in the Branacci chapel. After Lorenzo's death he passed his time partly at home, partly at the monastery of Santo Spirito, where he busied himself with anatomical studies, and partly in the house of Pietro de' Medici, who, however, was banished in 1494. About the same time Michelangelo left Florence for Bologna. He returned in 1495, and began to work as a sculptor, taking as his model the works of his predecessors and the masterpieces of classical antiquity, without, however, sacrificing his individuality. In 1496 he went to Rome, whither his fame had preceded him, and remained there working as a sculptor until 1501. Returning to Florence, he occupied himself with his painting and sculpture until 1505, when Pope Julius II called him to enter his service. After this, Michelangelo was employed alternately in Rome and Florence by Julius and his successors, Leo X, Clement VII, and Paul III being his special patrons. In 1534, shortly after the death of his father, Michelangelo left Florence never to return. The further events of his life are closely connected with his artistic labours. Some weeks after his death his body was brought back to Florence and a few months later a stately memorial service was held in the church of San Lorenzo. His nephew, Leonardo Buonarroti, erected a monument over his tomb in Santa Croce, for which Vasari, his well known pupil and biographer, furnished the design, and Duke Cosimo de' Medici the marble. The three arts are represented as mourning over the sarcophagus, above which is a niche containing a bust of Michelangelo. A monument was erected in his memory in the church of the Santi Apostoli, at Rome, representing him as an artist in working garb, with an inscription: Tanto nomini nullum par elogium. (No praise is sufficient for so great a man.)…
